![]() Mosaics, Marbles, and Medievalisms: Displaying the Foundation Narrative of the English Church in Westminster CathedralĪ Storied Cathedral: Space and Audacious Women in Early Medieval Durhamĭynamic Material Aspects of Writing in Wolfram of Eschenbach’s Titurel Towards a Poetics of Storytelling, or, why could Early Medieval English Writers not stop telling the Story of Judith? Performance and Emotions in Four Epic Works about Roland ‘Retelling Old Stories for New Audiences’: Shaping and Visualizing Beowulf through Gareth Hinds’ Graphic Novels īeing Numerous: Communal Storytelling in Li?smannaflokkr Janes Coles, Theo Bryer, and Daniel Ferreira Goes to School: Adaptations and transformations for the Secondary Classroom ![]() This volume thus offers an interdisciplinary exploration of how stories from across the medieval world were shaped, transformed, and transmitted. Alongside examinations of medieval cultural productions are explorations of the representation and adaptation of medieval storytelling in graphic novels, classroom teaching, and computer gaming. With a wide range of different disciplinary approaches from leading scholars in their respective fields, chapters include considerations of art, architecture, metalwork, linguistics, and literature. Ultimately, the process of making meaning through shaping narrative is shown to be as vital and varied in the medieval world as it is today. As a collection, it demonstrates the importance of interdisciplinary and context-focused enquiry when approaching key issues of activity and identity in the medieval period. This volume of essays explores these questions about meaning and identity in a range of ways. ![]() How, for example, do objects, manuscripts, and other artefacts communicate alternative or complementary narratives that transcend textual and linguistic boundaries? How are stories created, reshaped, and re-experienced, and how do these shifting contexts and media change meaning? Some stories, indeed, seem to possess a life of their own: claiming a peculiar agency and taking on distinct voices which speak across time and space. The shaping and sharing of narrative has always been key to the negotiation and recreation of reality for individuals and cultural groups. + 3 colour ill. - ISBN: 978-0-9, € 90 HTĪn interdisciplinary exploration of how medieval stories were shaped, transformed, and transmitted by interactions between tellers, media, and audiences. Multimedia and Multi-Temporal Perspectivesģ19 p., 19 b/w ill.
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